Last Moments Revisited and All Things Reconsidered...
I'm sitting on my mother's bed right now; my legs are crossed Indian-style,
sort of like the way I probably used to sit when I was four years old and
sitting this way was a weird kindergarten rule. Two little kids live right
next door, and they are taking ultimate advantage of the first real summery
day in a few weeks now; playing some catch and other assorted nonsense.
Their little baseball keeps hitting the side of my house, causing this
horrid banging sound to occur every so often, and making me jump up in
surprise. One would think I'd get used to this, especially by the hundredth
time it happened. However, my theory lies with the all-too-optimistic
thought that maybe the kids will learn how to catch sometime soon, thus
eliminating the side of my house as the interim catcher.
Upon my return from Phish tour, many of my days have been just like this
one: on the borderline of peaceful and quiet, yet terribly confusing... I've
been surrounded by love, family, and as much music as I could possibly dig
up (and all this is incredibly interchangable), yet it continually dawns on
me that despite what seems to be a straight path that I am following towards
this oddball concept of the future, I am running as crookedly as
possible with speed I'd never even knew existed. I'm nowhere, but I'm
everywhere all at once. I'm laughing and I'm falling apart. It's the me
nobody knows... yet you've seen it all along.
I kept two journals this summer while on tour: Erica Lynn On Tour, the
online nod towards the unstoppable, and a handwritten one -- old school
diary-style -- that sits by my bedside (no matter where the actual bed may
be) and contains antecdotes (among other things) such as the concept of
singular motion as it applies to a magical night in Raleigh, a sticker
stating the obvious (Fishman Hit On Me, given to me by none other
than the caped wonder himself, David
Steinberg), and other assorted goodies. Keeping these journals allowed
me to keep my memories in check; disassociation was not permitted by any
means... a scribbled word or three here and there seemed to make the most
sense in the world no matter where I was heading or where I had just come
from.
Because of my online journal, I was sent a flurry of emails from time to
time; some would comment on a particular review I had made of a song or
show, while others would constantly ask how I was getting about, handling
such a different lifestyle than I'd ever been used to, and one email went
into detail about how I may not return [to my life in New York] the same.
At first, that particular email almost scared me. Of course I had toyed
generously with the notion that 'tour could change my life' but never before
did I think that it was such an obvious measure. In other words, I had
chosen to go follow a band for a month. Was I consciously alerting myself
that I was ready to change? Was I sinking my teeth into something I perhaps
was not even ready for at all? Or was I taking everything -- including
myself -- too seriously?
I wrote her back, with fear in my fingers and a jumpstart to my soul. I
told her I would write to her after tour, when I've come up with some sort
of answer for myself. She has probably forgotten all about me, as it's been
over a month now since she'd first written me; almost a month since tour
concluded... and an email about ten emailed pages long is still sitting in
my drafts folder, addressed to her. A letter detailing my adventures. A
letter talking endlessly about my new loves. A letter describing my subtle
fears and lifelong dreams... and how they've suddenly intertwined themselves
in a startling wish I have... A letter, yet still unsent.
I suppose it is because I did not think I had really found the answer -- the
clear cut one -- that I so desperately thought I'd have at some make-believe
'deadline' that I'd set out for myself. Perhaps it was also a slight fear
that what I'd concluded was not what was even understandable or
comprehensible. Yet, there I was yesterday afternoon, looking through my
tour pictures for the fifth time that day... my finger perched on the send
button, ready to delve in and question reality. Then, almost as if I had
been caught in a reckless wave, all these memories rushed back to me at
once.
On June 18th, Jesse
arrived at my house and I began putting all my bags and whatnot in his car.
As we were loading up, my dad stood in the doorway with this huge grin on
his face. He called me over to him and hugged me close. "Get me the
cheesiest possible gift you can find when you're in Graceland," he had said.
I'll be damned, I thought, I'm going to Memphis.. I think at
that very moment, things became very real for me. It was not just a dream
anymore, or a simple plan. This was it.
In Antioch, Tennessee, we were in the very last row possible in the
pavillion. In fact, we were literally outside -- there was no roof covering
us. The only difference was that we had seats. Some friends of mine from
New York who had made the decision to tour as well were scrambling about on
the pavement right behind my seat. The show proceeded to be nothing less
than intense. I found myself in tears throughout the entire second set; the
music was capturing me into this wild rollercoaster ride... lifting me up to
heights I had never imagined I'd be able to see so clearly. The surprise
guests and the encore left me trembling... and for the first time at the end
of a show, I was unable to even write. I think it was that very day that I
opened up my heart again. I was finally ready to just let go.
On the first night of PNC, I remember constantly looking around me, unable
to sit still and certainly unable to pay close attention to what Phish was
doing. On the second night, I found who I was looking for all that time...
and suddenly all was peaceful and perfect. I recall putting Phish on the
pedistal that they deserved during their rendition of the Meatstick
in Japanese. I was starting to notice, though, how tour was breaking up
into sections; the southern run felt completely different from the
northeast... and the most important thing was comfort. I learned very
quickly to just do my own thing, surround myself with whatever felt right,
and forget life for awhile.
July fourth. Rift. I ran out of the pavillion, looking for Rob... I
knew he would somehow understand why tears were running down my cheeks, why
I was laughing uncontrollably at the same time, and why this was what I was
waiting for the entire tour. My thoughts went back to my experiences at
Antioch. I believed in magic.
By the time Star Lake rolled around, I was uncharacteristically mellow. I
found that I was taking things at a slow, steady, calming pace... and loving
the fact that although I had set places to go (shows at certain times,
people's houses to stay at, long drives ahead of me...) the fact that
getting to a show was the ultimate goal was incredible. I wondered if this
could possibly continue on a more permanent basis.
I believe it was at that point where I really started thinking of ways to
make music (writing about it, following bands, making some of my own) my
life. I had always had music in my life -- a large part at that -- but I
never truly believed that it was at all possible to do what I wanted to do.
At Alpine, I sat with my pen and paper the entire time, writing from musical
inspiration... I haven't turned back since.
Of course, there was the time where I returned home... attempting to explain
a month of adventures to my mom over some Italian food. She stood there
with a confused grin on her face, listening to my every word, trying to
comprehend why I was missing eight hour car rides and watching the same band
every night. She could not believe that people I had just met in random
cities throughout the country were people I'd truly hold dear to me for
life. And she certainly did not quite understand why it was so important
for me to see four more festivals in the next upcoming month.
Did I come back the same? The answer is simple, now that the memories are
on the table. There was no possible way that I could. It was not just
seeing Phish that changed my life, though. It was each and every
experience, allowing me to take myself to new levels... some things better
off forgotten but most being learning experiences. It was when I let music
be the inspiration and the soundtrack when I was able to know myself in
every aspect. I may look, act, and dance the same now... but my goals and
my loves have changed drastically. And I cannot wait to do this again.
Next month, Erica Lynn
Gruenberg will write her column while standing on her head, with
manatees dancing around her in glee. You heard it here first.