Disclaimer: The conversation that follows is a complete work of fiction. These
events never took place. It's all a bunch of malarkey, and not
one bit of it is true, not one iota, nada, nothing, nil, zilch
zero. The intent is neither malicious, judicious, nor
nutritious. In fact, the author is completely talking out of
his ass. He has been talking out of his ass ever since he
escaped from the mental health ward of Bellevue Hospital. He is
a sad little boy who finds chards of joy in fooling others. Do
not pay attention to him, and above all else, do not feed him.
Peace,
Brian
On October 27th Phil Lesh and Friends played a concert in Las Vegas. On October
28th Bob Weir and Ratdog played a concert in Las Vegas. Coincidence? I think
not. How could these two estranged former band mates be drawn to the same city on
consecutive days? The answer is simple: Wayne Newton.
Unbeknownst to most of us, Wayne Newton is a huge Deadhead. I'm told that his
concert medley of Sugaree>Danke Schon>Wharf Rat is quite the showstopper. Wayne
has been longing for a Grateful Dead reunion ever since he missed The Other Ones'
1998 appearance in Vegas. Apparently, he was scheduled to be a guest vocalist on
the breakout of Cream Puff War, but unfortunately Wayne got stomach poisoning
after "too many phatty goo balls."
Still reeling over missing his big chance to perform with his idols, Wayne
secretly orchestrated a surprise meeting between Phil Lesh and Bob Weir
on the
afternoon of October 28th. After persuading the bands' promoters to unknowingly book
Vegas shows on consecutive days, Wayne secretly invited both Phil and Bob to meet
him at roulette wheel #3 in the Mandalay Bay Casino.
Thankfully, this conversation was taped in stealth by Herb Alremedy. Herb was
not prepared for this meeting, and he did not have his proper taping gear with
him. Thinking quickly, he stole a miniature Dictaphone tape recorder from the
wealthy gentleman gambling next to him. Herb immediately straightened-out two
paperclips, and after laying several pennies on top of them, he formed a wire by
soldering the metal together under the flame of three lighters. One end of the
Jerry-rigged wire was connected in the external mic slot of the tape recorder, and the
other end was soldered to a needle connected to a small paper cone, which Herb
fashioned out of a David Cassidy-Live! flyer. Utilizing his origami skills, Herb
folded the paper-cone microphone into a flower, which he wore in his lapel. Herb
exercised extreme restraint and committed a major sacrifice in his moral
standards by recording on analog, but he had no choice. Herb understood the historical
significance of this conversation, so he was willing to suffer under the
shackles of analog tape, and for that he is to be commended. Nevertheless, the tape
sucks balls. I can't stand the hiss, and the equalization is way off. Herb did a
horrible job at capturing the sound of the room, the bass is very muddy, and that
classic FOB crisp high-end is nowhere to be found. In addition, the extraneous
crowd noise makes this one of the worst audience recordings of all time.
Regardless, I was willing to suffer through these impurities to transcribe the
following dialogue of this secret meeting:
Voice ONE: What are you doing here?
Voice TWO: I'm not talking to you. What are you doing here?
ONE: I came here to.gamble.
TWO: It figures. You just can't get enough green in those pockets, huh?
ONE: Oh come on. Don't tell me you hate money now.
TWO: Money is for mortals.
Voice THREE: Well it looks like someone has come to his senses, huh?
TWO: What in God's name are you doing here?
THREE: C'mon. We're both here for the same reason-investment opportunities!
TWO: What?
THREE: I wonder how much money they could get for this place. Think about it.
ONE: You know the real estate market is on the rise nationwide.
THREE: We could sell the vault to Microsoft and then invest all of our money in
a Grateful Dead-themed casino, which we would then sell-off in five years,
turning incredible profits!
ONE: I'm cool with it as long as the waitresses can't wear
tie-dye. I think Izod shirts and Birkenstocks would be classy.
THREE: Yeah, that would go great with A Rhythm Devils logo-emblazoned baseball
cap.
TWO: Do you guys think of anything besides money?
THREE: Listen Steve Martin, you don't call the shots anymore.
TWO: Oh well pardon me, Mr. Venture Capitalist. By the way, do you know who
stole my high school yearbooks and put them on E-bay?
THREE: Don't start pointing your finger at me, you Communist!
TWO: I know you are, but what am I?
ONE Whoa, now ease up Odessa. Ease up and take it slow. I have an idea. Why
don't we all pick a number to bet on? If it hits, we can put all of these bad
feelings behind us and get back together.
TWO: I'm not into this gambling stuff.
ONE: Hello? Welcome to the world buddy, you're in a casino! We're here to make
money.
THREE: Why don't we just pick a color? I say black.
TWO: Just like your heart.
THREE: Actually, I was thinking of.
(Tape Flip)
THREE: .and that's the last time I'll ever touch a goat there!
ONE This conversation has gone on far too long. I'm bored.
If anyone needs me, I'll be at the buffet by the cheese tray.
(Sound of the makeshift microphone being hit by a glowstick.)
VINCE WELNICK: Hey guys, can I play too?
ONE, TWO and THREE: NO!
THREE: I told you to stay in your cage until I give you
permission to come out!
WAYNE NEWTON: Gentlemen, it's great to see you here! Have you guys patched
things up yet?
ONE You know we've agreed to.
VOICE OF IRATE MAN: Hey, you little punk. You stole my tape recorder! I'M GONNA
KILL YOU!
(Sound of Herb being pummeled.)
(Assorted blood-curdling screams.)
(End of tape.)
Herb wussed-out and couldn't complete the recording, so the remainder of this
conversation will remain shrouded in mystery. He was able to redeem himself to
some degree by removing the miniature cassette from the Dictaphone before the irate
man broke Herb's left clavicle.
The lineage for this tape is Origami Paper-Cone Microphone>sewing
needle>half-assed soldered wire>Dictaphone (unknown brand).