This month's question goes out to The Disco Biscuits' Jon Gutwillig (who
will close out the decade, if not the millennium, in Philadelphia at the
Theater of the Living Arts on
December 30th and 31st...).
Does jamming come from the fingers or the soul?
Well, Dean ... jamming comes from the soul. Hopefully at some point
one's fingers become as secondary as the hands, arms, excetera ... all
working
subconsciously while one is singing consciously. Both mingle together in
the spur of the moment. That spur of the moment creates an intensity and
that intensity causes energy and importantly - emotion. It's the notes
that
one is singing mingling with the changing energy and tumultuous emotions
(all in the conscious mind) that opens the window to the the soul. This
phenomenon also explains why most intense jamming occurs with eyes closed,
or without conscious recognition of visual stimuli; because there is
another window to the soul opened within the conscious mind.
Anyone can 'jam' music in their head. The act of translating
music on a medium should be as subconscious as possible. Does Michael
Jordan think about his mechanics during a jumpshot? Probably not. Do
musicians think about their mechanics while they play? The less the
better. Is the difference between Jerry Garcia and Paul Kanigliac in their
fingers? Yes. Is it in their soul? Maybe. .... you need to be able to
shoot to score, but to hit the winning jumpshot, you gotta have soul.