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Published: 2010/12/13
by Charlie Dirksen

Phish’s October Tour In Review

10/8 AUSTIN CITY LIMITS

This is a very well played set, which is exactly what an “average-great” Phish set (or show) is from start to finish. The set is bookended well with strong versions of “Down with Disease” to open and “First Tube” to close. However, there is nothing especially noteworthy in the improvisational sections of the songs of this gig. The “Harry,” for example, fizzled out before segueing into a rudimentary “Light.” And the “You Enjoy Myself”? Perfunctory. This just isn’t that strong a set or tour opener — for Phish. Of course, I still would have loved being there — it is a Phish show, after all.

10/10 BROOMFIELD

I was very surprised by this one. I thought it would be much tighter, like the ACL opener. The first set is uneventful. Always great for “Mike’s Song” to open the second set, but you’ve basically heard this version before, and Trey is weak in the “Simple” that follows. As good as the “Ghost” is, especially at its end when it gets creepy and weird (and when Fish briefly kicks out the “Bowie” hi-hat intro), it isn’t sufficiently mesmerizing to warrant recommending — though I really like Mike’s playing in it. “Weekapaug” is a bit aimless, but the coda of “Fee” is cool yet again, with the siren (a “N2O” reference?) making an appearance in both it and the subsequent “Makisupa.” This version of “Makisupa” is quite enjoyable, particularly Mike’s playing in it. “My Problem Right There” is catchy and if you’re a completist who needs to hear every new Phish tune, then you’ve probably heard it already. But it doesn’t speak to me, though I’m at a loss to articulate why. (Of the new tunes, my favorites continue to be “Backwards Down the Number Line” and Page’s “Beauty of a Broken Heart” and “Halfway to the Moon,” though I certainly don’t mind the “Chalk Dust”-like rocker, “Kill Devil Falls,” and the use of “Light” as an exciting jamming vehicle.)

The “Slave” at this show is another really good “3.0” version, to be sure. “Strange Design” is fine, and the set-closing “Julius” is ferocious as always, as is the “Loving Cup” encore. (I am always happy with a “Loving Cup” encore!) But this show as a whole is below average, in my view, given what Phish typically does. In fact, this show is probably one of the best examples that I’ve heard of Phish “phoning it in” — which, of course, they never do. Their shows are almost always great. Phish is also “great” when compared to other rock bands, of course. But this show, to me, just seems “below-average” for Phish, given what they typically do night after night. You object? You think I’m wrong? You remember how much you LOVED the “Julius” at this show? Yes, this is one of those songs where every version tends to sound like the best one you’ve ever heard, and it always makes a mind-blowing second set closer, to be sure. But go listen to the 7/19/03 Alpine Valley “Julius.” That version along with spectacular versions of “You Enjoy Myself,” “Piper” and even “Scents and Subtle Sounds” make that 7/19/03 show one of the best Phish shows of the millennium. Download it from LivePhish. The “Julius” is somehow only $0.99, but its jam segment is worth at least whatever the price of admission to that fantastic show was. Don’t be surprised if it (or something else from the show) makes you genuflect.

10/11 BROOMFIELD

Maybe a bit better than 10/10, but not by much. First set is played well, and I like the “Reba” and “Tweezer,” even if they’re not noteworthy. There is also some Marco-Polo call-and-response goofiness between Trey and the audience in the short, but tight, “Antelope” set closer. Musically, the highlight was probably the “Golden Age -> Piper -> Camel Walk,” that opened the second set and lasted about 20 minutes or so, but the jamming wasn’t so inventive as to warrant a recommendation. A nice second set “Jibboo,” but it’s tough to find a bad version of this punchy, upbeat, melodic tune. I mean, when was the last time you thought “Jibboo” sucked? A typically fun Phish show, played well, and “average-great” at best.

10/12 BROOMFIELD

A short, but pretty fierce at times, “Stealing Time” first set opener, and a recommended “46 Days” first set closer. And check out the awesome bubonic plague “Carini,” and the final few minutes of “Light,” which (although short) ends well with a jam in five time for several measures. The first trapped Chilean miner was rescued at the setbreak of this show, and the second miner emerged during the “Theme” -> “Free” > “Joy,” which could not have been a coincidence. This is a well-played show with a few recommended versions of songs, i.e., an “average-great Phish show.”

10/15 NORTH CHARLESTON

Average-great. Seriously, though, an entertaining show with a multitude of well-played songs, including rarities like “Bill Bailey Won’t You Please Come Home?” (with Page’s dad Dr. Jack McConnell on vocals and tap shoes), “Destiny Unbound,” and “Buffalo Bill” in the first set. The first set also had a short but sweet “Bathtub Gin,” but the “Stash” was a mixed-bag, and there’s just nothing I’d recommend listening to from this show. “Down with Disease,” the longest track of the night at 12:32, is a good version, but in light of the incredible history of the song, this one isn’t anything to please write home about. This is just a typically fun, average Phish show (at best), as I hear it.

10/16 NORTH CHARLESTON

Really enjoy the “Curtain With” and “Sand” in the first set, but I am admittedly a sucker for even “average” versions of these songs. And as sweet as it is to get “Sand” at all these days, the versions in October aren’t all that powerful when compared with average Phish or Trey Anastasio Band versions in the past. The “Crosseyed and Painless” second set opener — a set opener I will always love — is nevertheless a mixed-bag, since it gets spacey and aimless for a bit, before ending with its (not always played) composed ending. I often enjoy some “spacey” improv, but not this time. Another upbeat, fired-up “2001” shows up in the set, but this “Tweezer” is — like the “C&P” was — a mixed-bag. Trey hits some off-key notes here and there in the jam that just sounded like he wasn’t really sure what to do in this version. This is a “Tweezer” that just never seems to get it together, in my view. But hey, if you dig this, glad to hear it (email me for a list of 50+ versions I can recommend). The “You Enjoy Myself” at this show is an improvement from ACL, to be sure, but is also just similar to other typically-strong 2009-2010 versions. In other words, it still isn’t one I’d recommend in light of its awe-inspiring improvisational history. An encore that contains “Quinn the Eskimo” and “Tweeprise” will always bring a smile to my face, as this encore does. This was a strong way to close this show, which I’d rate “a small nudge, or wee bit, above average-great.”

10/19 AUGUSTA

This was the first inarguably above-average Phish show of the tour. It may be a “Top 10” show of 2009-2010, frankly, as well, though I haven’t done the math. (It is definitely in the Top 20 of 2009-2010.) The first set was well-played, with good versions of “Back on the Train” and “Torn & Frayed” (happy to see it again), a pretty good “Gin,” an awesome “Jesus Just Left Chicago,” and a strong “46 Days > Possum” to close. The second set opened with “Fuck Your Face” (of all things), had a good version of “Mike’s,” a “Light” with fluid, intricate “Type 2” jamming, a badass “20 Years Later” jam segment, a smokin’ short “Weekapaug,” an enchanted “Harry,” and a memorably thrilling encore with a “Type 2,” unusually improvisational “Reba.” This was also the first time “Reba” was played as an encore since September 21, 1999 (231 shows ago). For other spectacularly improvisational versions of “Reba,” check out (for example) 8/16/93 St. Louis, 7/6/94 Montreal, 7/1/97 Amsterdam, and 8/2/03 IT.

What do I mean by “Type 2”? When the jam in a song takes a markedly different course than it ordinarily would. This is usually, though not always, accompanied by at least one time signature change. For example, the jam of “Chalk Dust Torture” is usually “Type 1,” as it was recently on 10/8 at ACL and even on 10/30 in Atlantic City as a “Whole Lotta Love” sandwich, but listen to the versions on 8/3/03 IT, 8/9/94 Hampton and 6/25/10 Camden for “Type 2” jamming. Or, for example, compare any of the October 2010 “Carini” jams, all of which contain at least a few minutes of “Type 2,” with the straight-up “Type 1” of 11/29/09 Portland or 7/2/10 Charlotte.

In any event, if you still haven’t listened to this Augusta show, please download it from LivePhish. It’s well-worth the coin, and a portion of the proceeds from LivePhish downloads support The Mockingbird Foundation — the volunteers of which bring you Phish.net. (Phish.net is free to you, but it isn’t free.)

Comments

There are 25 comments associated with this post

Alex December 28, 2010, 16:50:33

Charlie, As always, these columns are much appreciated. Please keep up the good work. I consider myself a very serious fan, but rarely have time to listen to every show. I appreciate being pushed in the right direction in terms of recommended listening. Finally, while I agree with you on Utica, Manchester and this year’s fantastic costume selection, I was sad to see Stash->Makisupa from 8/7/93 not mentioned amongst all time Stash renditions. I might suggest you give that another listen my phriend. Hope to see more of these in 2011!

Jay M December 21, 2010, 23:58:10

Great reviews of all the shows. Having heard all the shows already, I still found it very informative and interesting to read your “2 cents” although I was surprised by some of the things you said, but I won’t get into that. I just wanted to mention a error I noticed. Under the review of the 10/19 Augusta show in the short explanation of Type 2 jams, you mention a Chalk Dust from 8/9/94 (no show on this date), and I’m sure you meant the one from Hampton on 8/9/04. Just wanted to clear that up b/c that version was my first Phish song I ever witnessed, and I love that version. Everyone should hear it. Keep up the good work though.

Blooby December 18, 2010, 06:40:46

You are this guy: http://www.youtube.com/watch?v=62T9ESyOtJo

kyle December 20, 2010, 11:28:20

Charlie, Pretty much spot on. Im an old timer too I guess (1994) and it was just different back then. They were younger we were younger but it seems like since their return almost every tour has got consistantly better. We cant expect the Boys to be the same in 2010 as they were in 1993. I mean come on I was 13 then and I am 31 now if I havent changed since then please shoot me now. My fav set and again like you this is just my 2 cents was set 2 of Manchester the Makisupa into night nurse was amazing and the first set although choppy was bust out city at the start then kinda faded a bit. My gf is a 3.0’er and she hates it when I act Jaded like oh man YEm closer again to her it is all good and she has only been to 12 shows. So I have stopped being Jaded and started seeing it through her eyes. Not every show is great or even good but it sure as hell beats seeing green day do a75 min set including the encore. To me Dead Heads have become so Jaded it is tough to even see a show with them anymore. Just Look at Phil and Jill going after fans. Not that I approve but he is 70 for christ sake. If someone can do their job the same at 70 as they did when they were 25 I will give them a ticket to NYE

Wes T December 14, 2010, 13:55:55

Charlie,
I appreciate your review and I think you were mostly spot on. I’d say that Mr. Minor has a tendency to fluff every show regardless of how good it is, so it’s nice to see an honest critique from such an informed fan. With that being said, I’d have to argue that you missed the glory of night two in Charleston. I don’t know exactly what shows you attended, but your review in Charleston definitely comes off as a “I wasn’t in Charleston, it sounded ok on tape, but man the shows that I saw in person up North were way better”. We will always be guilty of considering the shows we attended to be superior or at least more memorable that those that we missed, but I expect better from you, regardless of if you made the show. So leaving out the excellent venue, beautiful weather, friendly crowd, and the GA seating that made waltzing down to the 10th row easy, I’d have to say Charleston holds up exceptionally well when compared to the remainder of the tour and Phish history as a whole. First off the setlist is fantastic, and I’d say that’s pretty important when reviewing a show. You can pick highlights, but if you’re going to give it an overall rating, it would seem odd to ignore that this show is filled to the brim with songs that most fans love. I also realize that you’re pretty stingy when it comes to recommending highlights, and I’m certainly fine with that, but I think a good deal of fans would consider the Crosseyed and Painless to easily be one of the best performances of the tour, if not the best. I’m not sure if you are for or against the ambient dissidence before the composed lyrical reprise, but I’d have to say that it was perfectly placed, and had the entire crowd grinning at the sneaky return of the “still waiting” refrain. From there the entire second set flowed exceptionally well. In my opinion the You Enjoy Myself was significantly better than most 3.0 versions, with a number of licks that remind me of the incredible 6/11/94 version. In any case I appreciate the honest and thoughtful review, and I enjoyed reading it, I guess I was just a bit disappointed that you seemed to skim over such an exceptional show. One more thing, not sure you gave enough note to the excellent David Bowie performances. I assume it’s because they do not stack up to performances of yesteryear. But compared to 2009, I’d say the song has gone from consistently underwhelming to potentially great once again.

jumanji December 14, 2010, 12:42:06

Been following them since Hampton 96’, when I attended University of Maryland. Fall 2010 was the first time i did an entire tour. I agree with much of this article, ie(Colorado was just blah, and the final 9 shows cranked up in intensity)
Many people were complaining about tickets,travel, and song rotation, and I’m just glad its not 2006, and they are touring!!!

Earlytimes December 15, 2010, 15:19:09

Thanks you for pointing out the highlight of the Utica show. The last minute and a half of Have Mercy is one of the greatest things I’ve heard out of the band in years. I may be jaded as well, but I can remember a time when stuff like that was a possibility from the band on a nightly basis. Hopefully we’ll hear more

Tagalong December 15, 2010, 16:39:59

Nice article Charlie! I didn’t catch any of this falls shows but have seen 11 shows since the reunion and am enjoying seeing the band again. Honestly, I stopped delving so deeply into analyzing the music and the playing so thanks for taking up the cause. While I do think the band has changed, so have I. It;s been a long good road from where my car was parked on the interstate after Coventry to where I/we are today. Things had to change….isn’t that just a part of life? So I may not be able to catch as many shows as before and I do have more personal obligations, but when I can I go and dance and listen and enjoy the moment. If you don’t like a Phish show you are at ask yourself “Who is better tonight and where are they playing?” if you have an answer, you are better off not seeing phish again. I didnt see the Dead until the 90’s out of choice. And as much as friends who were heads said “They use to be better” My answer was I liked tonights show…....dont know what they did in 77 (at the time I didnt) but a Tuesday night in 93? It was a damn good time!

Steve December 15, 2010, 19:46:20

I give your reviews of the October Phish shows, average but not by much. I caught Providence, Umass and Manchvegas. Floor for all 3. Highlights include Providence Rift, Julius, and the spooky Sanity that built up the run for Halloween. Umass was a good time. Manchester had some gems but the 1st set was
up and down temp wise. 2nd set got the crowd fistpumping. Good to hear alot of songs you don’t always catch. Show of Life encore was appropiate from my standpoint. “Its been perfectly planned
Its completely insane
Its a revolving cast
But its the same old game”

Charlie Dirksen December 16, 2010, 23:25:03

Thanks again to all of you for taking the time to comment on my two cents on the tour! I’ve responded to some of you in the comments on this site, but I’ve responded to more of you at this link (http://charliedirksen.blogspot.com/). I hope you find my comments helpful in clarifying my opinions on this tour and on Phish’s music in general. I also hope you all have a safe and happy holiday… and that you’re able to see some PHISH in a few weeks, either via the webcasts or in Worcester or NYC!!

Fluffhead December 13, 2010, 12:34:06

thank you very much for responding, i would agree that each show specially for those in attendance is great, at the same time there have definitely been shows as of recent that had incredible setlists with a lot of songs played but with little extended improvisational sections (like 10/15/10 for example), if you had to recommed a show or two (for phish 3.0) where the band took more risks and there was a good amount of improvisation which would those be.

Charlie December 13, 2010, 18:03:13

@JohnJWood: Is it really you?? It must be! What a pleasant surprise, thanks for reading any part of my two cents. I am astonished that you thought a typically great version of “Fluffhead” was the musical highlight of the 10/11 show, though. Man, I thought I could be jaded. But I don’t think you’re being fair to me about the second-set opening Golden Age Piper Camel Walk, since, as I put it, the jamming in them “wasn’t so inventive as to warrant a recommendation.” You really expected me to call an average version of “Fluffhead,” that ALWAYS consists at most of like a minute or two of Trey improvising in a solo, the musical highlight? In any event, as you say, mileage varies, and it looks like we agree that it wasn’t a show with anything worth recommending, eh? I have to ask whether you’ve listened to anything that I’ve recommended from any tour in the last two years, though. It’s easy to be highly critical of Phish these days when you’ve only heard a show or two, but I think that’s unfair to a band who changes the setlist every night and improvises in quite a large number of songs. If you don’t want to make the time to listen to more, understood… and I hear where jadedvets are coming from in criticizing Phish these days and share some of those gripes, but on the other hand, I disagree strongly that “Phish has a serious weakness at songwriting.” They certainly don’t have the lyrics of Robert Hunter and The Grateful Dead (of which I am very fond as well, as you know), but the lyrics of many of Phish’s songs are still wonderful in my view. Sure, the lyrics of some of their songs are silly, I find them entertaining (at least most of them), and the music is and has always been more fundamental to me than the lyrics anyway. I am digging what Phish is doing now, thank you, and will enjoy it to the fullest. Best regards to you, John.

djcampfirepants December 13, 2010, 15:39:59

Thanks for doing this Charlie. I always enjoy your two cents on Phish past, present, and future.

andrew December 13, 2010, 15:37:41

While I agree with the overall gist of this Fall review, what I feel might be missing is the sense of a sea-change in the band’s playing; maybe not so much as something that came to fruition in terms of fully executed shows, but as a pontential sign of things to come. I’m thinking of Trey’s playing in particular, and especially on 10/30 and his work in the Bowie and BDTNL jams (neither of which were really mentioned here). He seems genuinely inspired, innovative, and technically more sound than he’s been in over a decade. The encouraging signs from this past tour should be enough to get any vet going. I caught a smoker of a Reba at my first show that Charlie mentions here (7/6/94), and I can say without reservation that the 10/19/10 encore is certainly a contender amongst the best. That’s more than enough to get any vet going as far as I’m concerned. Not because we’re necessarily talking all-time take-no-prisoners start to finish shows yet, but because the possibility is at least there. Tune in in a fortnight; the Centrum rarely disappoints.

Rudy December 13, 2010, 15:54:03

I don’t envy your efforts to review an entire tour of Phish shows. The difficulty is seperating the uniqueness of the event from the listening experience the fans are left with. There simply isn’t enough time to listen to every show from opener to encore. Even if you could, certain performances of songs, sets, or shows percolate above the others and become legends. I think that is the struggle in performing a tour review. The purpose is not to denigrate those performances that were genuinely enjoyable, but ultimately unspectacular, but to put a spotlight on the special performances…the ones that will ultimately define Phish at its very best. Nice work.

chriscalarco December 13, 2010, 11:35:16

The Sands played in october were the most creative versions ever-first time with full band improv – other than a few of course in 99, but really?

Fluffhead December 13, 2010, 11:51:06

Since every show you review seems to either be an average or an average-great show, I was wondering in your opinion has the band played an outright Great show since the reunion?

Charlie December 13, 2010, 12:18:14

@chriscalarco: I assure you the recent versions of “Sand” were not the “first” versions with improvisation involving the entire band and not just Trey. See, e.g., Phish’s 12/13/99 Providence, 12/16/99 Raleigh, Cypress, 7/14/2000 Polaris, 9/9/2000 Albany, and particularly TAB’s 10/24/06 Fox Theater… and heck, even the TAB version on PLASMA. Most TAB versions of “Sand” feature excellent accompaniment, and aren’t necessarily “Trey-led” the entire time. Also, frankly, if someone is a big fan of “Sand,” they should check out every version in my view. They shouldn’t give a damn if someone recommends it or not. The versions of “Sand” from October are certainly worth hearing, but I listen to everything and tend to think of all Phish as worth hearing at least once or twice — so what do I know. @Fluffhead: I apologize for once again failing to be clear. PHISH PLAYS GREAT SHOWS. That’s what they do. An “average” Phish show is an “average-Great” Phish show. As for Phish shows that are absolutely “above-average” — or “outright Great” if you prefer — from October in my view, see, e.g., Guyutica, Manchester, Augusta and 10/30. Thank you for commenting.

Anonymous December 13, 2010, 14:20:06

I’m probably the “some” who have “contended” that Phish was not fully “back” until the recent run, and have to respectfully dissent from the heroic, but wrong, defense of 3.0 Phish. It probably goes back to YMMV, but an “average great” Phish show which is one of the forgettable shows doesn’t really count for much in my book. Yeah, it’s a fun time, I see my friends, it’s a good night out and a good entertainment value, but having a few minutes of the flawless execution and jaming in many eh shows prior to this summer is not the Phish of 1993 or 1997 or Big Cypress or the Worcester Jim or any of the other superior pre-hiatus shows. I went to Hampton and about 15 other shows from 3/09 to 6/10 on top of my ~70 pre-Hampton shows and was starting to feel the deja vu of 90s Dead after being a Deadhead since the 70s, a certain kind of notional, paint by numbers, phone it in nodding to their previous greatness. Where maybe one in five shows would be “really good” instead of the predictable “Good ol Grateful Dead” singalong. Before this summer’s SPAC, Utica and AC, I was resigned to “the world is still a better place that Phish is playing again” and you would get about an hour per tour of good old crunchy off the hooks improvisation. So, I’m one of the people who say “Phish is back” in their full glory, and yes Virginia (and new fans), there was something missing prior to this late summer and fall. I don’t give much credit to a band competently playing their songs in public. I want a show. I want rock and roll and jamming. And Charlie, I’m sure you told people over the years, “you can’t judge Phish from their studio albums, you need the live show experience”. That does not sound like the many apologists last year and early this year who would attempt to convince themselves and the rest of us that a show chockablock with Trey’s introspective adult ballads like Joy, TTE, Friday etc. wasn’t “fun” and we were there to see Phish, not James Taylor.

reiley clark December 13, 2010, 14:31:33

“email me for a list of 50+ versions I can recommend” – Here’s my recommendation: Respin 10/16 with a head full of the quality fluff going around and a small LED light show in your living room and get back to us. :)

sumodie December 13, 2010, 14:50:55

That was your best 3.0 tour summary yet -glad to see you’re still on the bus. Fall tour was gloriously fun and the best 3.0 Phish yet. P.S. The 10/30 & 10/31 entries of your Recommended Listening list look screwed up -may want to fix that.

Dogoneblog December 13, 2010, 16:20:19

Great review Charlie, as always.

John J. Wood December 13, 2010, 16:56:43

Charlie, if you call “Golden Age -> Piper -> Camel Walk” the highlight of the 10/11 show, as far as I am concerned you are not listening carefully. However, this is from a person who is simply not into the band anymore — and the first hour of the second set was a good reason. YMWV, but most of the songs in that second set — as songs themselves — are painfully mediocre material. Most of the jamming was repetitive and went nowhere fast. “Fluffhead” saved that set from being a total waste, and had more energy than anything that the preceding hour. This was my first Phish 3.0 show, and I left not needing to see another one for a long time. I have long felt that Phish has a serious weakness at songwriting, and many of the songs I have simply outgrown. To me, the best music is the type you grow with, and that starts with great lyrics instead of cute catch phrases which eventually lose their shelf life. YMWV, and if you are digging what this band is doing now, enjoy to the fullest. I wish Phish the best on their third chapter.

Mike December 13, 2010, 19:18:24

Was at all 3 AC shows. My thoughts: 10/29 – Agree with the first set being kind of inconsistent (although My Soul and Axilla >Rift were sublime and I dug the Cities jam), but the second set, Prince F’erpants notwithstanding, was top notch. Sand was one of the top jams of the run, Piper, though short, packed quite a punch in its 6+ minutes, and the Theme was sweet as well. The Slave/Fluffhead/Loving Cup three-pack that closed the night was undoubtedly the high point, but there was some great stuff elsewhere as well. 10/30: Completely agree about the TweeZeppelin being overrated. I’m surprised you didn’t give much thought to the Tube because I felt it was the best 3.0 version thus far. The songs that have held up best on tape for me are: Foam, CDT>WLL>CDT, Ha Ha Ha, Walk Away, Wolfman’s > Undermind, Tube, and David Bowie. Everything else is decent to good but doesn’t particularly stand out to me. 10/31: Agree about almost everything, but the third set seemed kind of mailed in to me, which is understandable because they were probably tired. BOTT, Jibboo, Wilson, and of course Julius are all worth hearing, but the Hood peaked way too early without any buildup. Incidentally, my favorite performance from the tour seems to be the 10/16 Curtain With. Possibly the best-ever version of that song, and it has gotten quite a bit of play on my iTunes.

Raydog December 14, 2010, 08:35:17

pretty spot on review of fall tour. I felt the band turned a corner the second nite of SC. The band is getting tigher and tighter. Next year should be a hummer.

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