In this installment:
Bela Fleck
David Grisman
Eric Krasno
John Medeski
Chris Wood
Brian OConnell
Rob Derhak
BELA FLECK, banjo Bela Fleck and the Flecktones
Benjy: What do you think of programs like Napster?
Bela: Well I think Napster is a little complicated because its kinda like
bands give away stuff on purpose, and then some of the stuff that we dont
give away, its given away for us. Its like you go to a bar, and theres
food to eat at the bar, but they also have a straight menu and the food
at the bar is free. If you went and took the food off the main menu, and
didnt pay, youd have to go to jail. You know what I mean? And so I
think because bands are so generous about giving away their live shows -
we give away all our live shows when we make a record thats not for
free. That costs us money. And so I feel that people should pay for the
records, and should accept the live gigs and the free tapes as a gift.
Benjy: Okay but then what do you think about the try-before-you-buy theory?
Bela: I wish there was a way to do that but the truth is you cant really
do that. I mean, I think if it disintegrated after four plays that would
be fine. But it doesnt because it stays and then people make copies of
it and then guys go to the store and buy a hundred blank CDs, make copies
of tapes for friends, they sell a new record at a dollar profit - they
make it for a dollar, they sell it for two dollars to other friends of
theirs, and you knowTheres a fallacy the bands are all making a whole lot
of money but the truth is only like three percent of all bands records
pay off and if you take away half of those sales, that means the band is
getting hurt in the long run. Its not an imaginary person. Its the
actual musicians. Even though the record deals arent fair, even though
the price of the CDs arent fair, youre really hurting the musicians. And
so Im afraid I have to take that position, because I think its true.
However, you know, I like everybody, everybodys great, everybody should
do what they think is right. And I think its going to be great to get an
unknown band more well-known.
And theres a lot of stuff were fine with having on Napster live
tapes. I just think when youve got a brand new record and a new label
who spent a whole lot of money on it and youre not going to see any money
till it recoups, and you spent four months in the studio, that shouldnt
be for free.
Benjy: What do you think about technology that attaches commercials to
the music files
Bela: I dont think thats going to do it. Commercials arent going to do
it the money wont get back to the right people anyway. Well, thats a
whole other factor. But I think its a much better delivery system than a
CD. So I think if they can work it out for the artists to get paid, it
should cut the costs of CDs by half. Your music should cost five or
seven dollars. It shouldnt cost seventeen dollars. Thats a big part of
the problem and thats why a lot of the people are upset and are prepared
to take the stuff for free, because they feel theyve been ripped off. A
CD costs less than a dollar and theyre being charged seventeen dollars.
For everybody to make a good profit, you know, upwards of three dollars
each, it should still be under ten bucks. Thats all.
DAVID GRISMAN, mandolin
Benjy: Whats your take on Napster?
Grisman: I dont know what that is.
ERIC KRASNO, guitarist - Soulive
Benjy: Any thoughts on Napster?
Krasno: Oh I think its great man. Anything to get our music out there
further and further. For Soulive definitely all the access to our music
on the internet has done nothing but good things for us. For bands that
are touring and traveling, its the best thing in the world because you
can promote your music everywhere, all the time, for free. Its great.
People are still going to buy your albums. And people are still going to
come to see your live shows and thats what its all about for us.
JOHN MEDESKI, keyboardist
CHRIS WOOD, bassist
Benjy: Any thoughts on Napster?
John Medeski: I dont know that much about it. I dont know all the
details because I dont have a computer. I think its kinda cool that they
got stopped from doing what theyre doing, in a certain way. I dont
really know. See, I dont know the details. I like the idea of the
artistsThis world is not set up to support musicians and artists. We
have to make a living just like everybody else and its actually looked
down upon in this country, its like a lower class you get hassled in
airports, you get hassled because youre a musician. In that context its
unfair that anyone should get our music for free because theyre not
helping us any other way. So that part of it I dont like.
But Ive heard sort-of conflicting stories as to what Napster really
is, whether its really making any money off of it or not, soI dont know.
I dont really care. Thats my thing! (laughing) I dont have a computer;
I dont care.
Chris Wood: I need to do some more research. I dont totally have an
opinion on it yet. Theres a beauty in the freedom but it also is kinda
messed up too. Theres two sides to it.
Brian OConnell, bassist - Uncle Sammy
Benjy: What are your thoughts on Napster?
OConnell: It's great that people can trade music and help promote bands
on the internet, especially up and coming bands. People have been taping
records and CD's onto cassette for a long time already, but now the
stakes are higher. The downside is that artists are getting screwed out
of their royalties, but the fact is, record companies have been screwing
artists since the dawn of time. Hopefully, new technology will level the
playing field and when the dust settles, musicians will be able to forge
a decent living out of the exchange of their recorded material.
Rob Derhak, bass and vocals moe.
Benjy: Any Napster thoughts?
Rob: They owe me a lot of fucking money!
Jambands.com correspondent Benjy Eisen would encourage readers to
transfer this file to MP3 and trade it any way you want.
Copyright 2001 Kind Media and Toga Rogue Publishing