It seems funny when I say it, but everything I need to know... I
already do, and I am still realizing it.
It wasn't until the early 90's when Mickey Hart released "Drumming at
the Edge of Magic" did I finally learn of the famed Mythologist Joseph
Campbell. A man who's passion for the mysterious dance of life influenced
such monumental efforts as Planet Drum and even Star Wars. And as it always
is when you discover something new and bright his name started to pop up
everywhere, and I started to learn from him.
Although Joseph Campbell had been dead a number of years by the time I
had heard of him, he has single-handedly influenced my perceptions as much
as any one person can influence another's. Upon further study, I discovered
it was for one concrete reason: He followed his bliss, and encouraged others
to do likewise. This is what I humbly deem as the singular requirement in
success and enjoyment of ones life.
Webster's defines bliss as complete happiness, or Paradise,
Heaven. However, happiness is so completely subjective it is near
impossible to nail down what it is in general. From the obvious
observations of happiness, to the elusive descriptions of it. What of
course makes me happy would drive most of you crazy in a short time. Others
may find the paths I follow to happiness merely the entrance to ideas and
concepts of what/where their own happiness might be found.
Take for example a movie most of us within Hollywood's grasp may have
seen, "City Slickers." In it the ranch boss Curly gives a small
speech on the secret to happiness; it's "one thing" he tells Billy
Crystal.
Then he goes on to give vague directions to nothing in particular, all the
while stressing the importance that it be a deeply personal choice
(something along the lines of "Stick with that, and everything else don't
mean shit."). Now it may seem simple-minded to think I have found the
secret to life in a movie by Billy Crystal, or maybe it's not. It seems
to
me that the teachers are always there. "When the student is ready then
the
teacher will appear." That is what makes possible that fact that the
great influence may come from a famed Mythologist, a ranch hand's
movie
script, an author, a musician, or even a muppet.
A Muppet?! Yes, a Muppet. Everyone who has seen the original Star
Wars trilogy may remember the speech Yoda gives Luke Skywalker during one
episode - about us being "luminous beings, not this crude matter," as he
gestures to his meager clothing and flesh. This short scene comes straight
from the series of books by Carlos Castaneda on the teachings of the
shaman/brujo Don Juan. Published from the late 50's to the present, Don
Juan's lessons were always aimed at the breaking down of Carlos'
western learnings. The initial effort was aimed at getting him to
lose his reliance in the physical world, and all of its finite attachments,
and reach deeper into himself to realize the spiritual world. There is an
almost word for word speech by Don Juan about luminous beings, that I am
convinced inspired Yoda's appropriate insights. So imagine my surprise
when
I discovered the similarities in both Yoda's and Don Juan's theologies,
and
then to discover that Joseph Campbell also influenced the writing of the
Star Wars trilogy. The conjunction seemed more than coincidental to me.
But much more than that, what did the three authors have in common?
It has proven to be, in hindsight, that George Lucas' lifetime labor
of love was the realization of his sci-fi/fantasy story line for Star
Wars (of
which he has now accomplished 4 with the rumored total being 9). All of
which have been done for the sole purpose of satisfying the artists inner
yearnings - nothing more. Carlos Castaneda's lifetime achievement has
become his series of books on the "Yaqui Way of Knowledge," and his search
to become a whole and spiritual being. A search which has helped him
surrender to the eternal ebb and flow of power, and to become one with
power, instead of trying to control or force it.
And finally Joseph Campbell himself, who went from a retired teacher
into being one of the greatest minds in the gathering of the knowledge and
myths of various worlds cultures. Then realizing, once they were all in one
mind, the deeply rooted similarities in our beliefs and lives. The common
bonds that had become lost by the surface tensions created by shallow
observations of such minor facets as skin color, religion, global location,
and sometimes even diet. He became lost and was found in his own
meditations of life. And he did it all for the excitement in the quest, the
joy of the journey, to follow his bliss.
Because of these lifelong, single-pointed meditations to which I have
been exposed and influenced, have I myself been able find that my own aim is
as mysteriously singular as theirs was. Since my early teenage years two
obsessions have been constant and unwavering in their influence on my
development. The love for music, and the desire to write.
When I first discovered my love for certain styles of music
it was aimed specifically toward The Doors and The Grateful Dead
respectively. There was something that drew me in to their music,
and the passion with which the musicians played... that, and the
words! By the time I was 13 or 14 years old I had memorized Morrison's
Celebration of the Lizard, and most of the album An American
Prayer. But it wasn't simply the dark poetry I was attracted
to, as a matter of fact aside from an earlier childhood infatuation
with the writings of Poe, I refused further exposure to the world
of poetry. That was until I was exposed to three artists who would
eventually become the three biggest influences to my own desire
to write. Jim Morrison, Robert Hunter, and some years later Bob
Dylan.
Songs like Gates of Eden by Bob Dylan, exposed me to lines
like:
The motorcycle black madonna
Two-wheeled gypsy queen
And her silver-studded phantom cause
The grey flannel dwarf to scream
And weeps to wicked birds of prey
Who pick up on his bread crumb sins
And there are no sins inside the Gates of Eden
It's my humble opinion, you don't tweak, edit, and force those kind
of
lines out. They either come in a rush, or they don't. More and more
music
was inspiring me to write, and affecting what I did write. There are some
memorable occasions of sitting smack-dab in the middle of my speakers with
Zappa's "Shut Up and Play Yer Guitar" at full blast, as I feverishly wrote
rambling scat poems and electrified beat poetry.
I never planned on writing about music, so when I was asked to
donate some effort to a budding new website (in the form of CD reviews of
bands I had hardly heard of), I gladly accepted. Not because I yearn to be
some sort of music critic, but because I am witness to my two greatest loves
starting to merge before my eyes, and I refuse to be blind to such things
anymore.
However, the biggest gift of all is being able to write feature
articles like this and it's preludes. To be able to finally explore these
fuzzy, yet definite connections to music, spirituality, life and art - and
then to share them with the general public (or at least the people who read
this magazine), is something I've discovered I have always wanted to do...
but didn't realize it. It just feels right, as all things do when you
follow your bliss.