Current Issue Details

Buy Current Issue

Reviews > CDs

Published: 2011/06/07
by Brian Robbins

Tedeschi Trucks Band

Sony Masterworks

Well, it’s about time.

Ever since guitarist Derek Trucks (he of the old soul since birth) and singer/guitarist Susan Tedeschi (she of the real-thang blues pipes) first crossed paths back in 1999, the world’s been waiting for a full-fledged musical effort from them. We’ve had occasional musical cross-pollinations between the two, both on stage and on record – heck, there’s even been a wedding, kids, and a house with a studio in the back yard.

But this here Tedeschi Trucks Band and their debut album Revelator has been worth the wait. Tedeschi and Trucks have put together an 11-member band that recalls the good parts of Delaney & Bonnie & Friends and takes that vibe to new places. (Hearing a sarod lead the way into the swampy soul of “These Walls”, for instance – now that’s a new place.)

Revelator starts off with a blast of classic Allman Brothers-like swagger: “Come See About Me” finds the whole band chasing a groove that feels a little like a cousin to the late Duane Allman’s riff on “Stand Back”. But where ol’ Skydog attempted to make his Gibson sound like a horn section all those years ago, TTB actually _has _one. And for all the times that Susan Tedeschi’s voice gets compared to Bonnie Raitt’s or Janis Joplin’s, how about acknowledging that she can dig in and belt it out as soulfully as Brother Gregg? Or put an ear to “Until You Remember” and tell me that she’s not doing some serious Otis Redding channeling, her vocal swaying a slow waltz with Derek’s guitar as the song builds to its climax.

The band’s 3-piece horn section knows when to dance in and out with quick Muscle Shoal-style jabs (listen to their “Poke Salad Annie”-flavored work on “Bound For Glory”) or lay down the funk sauce thick and heavy (dig “Love Has Something Else To Say”, which eventually grinds its way to a nasty-ass guitar/horn jam). That same knowing-what-to-do-and-when-to-do-it approach is what this band is all about; the lineup is powerful yet never overpowering, whether it’s the harmony vocals of Mike Mattison and Mark Rivers on tunes such as “Don’t Let Me Slide” or the tasteful dual drumming of J.J. Johnson and Tyler Greenwell on everything from the gentle country soul of “Shelter” to the voodoo stomp of “Learn How To Live”.

And look over here: Kofi and Oteil Burbridge (keys and bass, respectively) bring their own brand of brotherly ESP and musical talents to TTB. Both have shared the stage with Trucks for years in separate efforts (and together in the fabled jam supergroup Frogwings) – when you put the Brothers Burbridge in the same place at the same time, magic happens.

And then there’s Mr. Trucks, who acts as the band’s ringmaster, leading the way with his unique guitar voice. It’s true: nobody – nobody – sounds like Derek Trucks when it comes to laying a glass slide to the neck of his trusty Gibson SG, but Revelator finds him broadening his palette of sound, adding a throaty old Gibson Firebird into the mix, along with some wicked sans-slide fretting.

The true masterpiece on Revelator may be “Midnight In Harlem”, which sounds like a cover in the nicest of ways: you find yourself really and truly believing that you must’ve heard Marvin Gaye doing a version of this song a long, long time ago – but no. It deserves the mistake, but it’s an original penned by Trucks and Mike Mattison. Drums, bass, and keys combine for an easy glide into the first verse, with Trucks’ slide adding just the right amount of ache to the sweet. Tedeschi lets her voice ride the groove; she fires off powerful passages effortlessly, working off the bits of thick guitar and the textures of background vocals offered up. With a little over two minutes to go in the song, Trucks steps to the forefront, laying down beautifully-phrased slide that slowly builds in intensity. At moments like this, Trucks’ playing is absolutely horn-like, right down to the pauses for “breaths.” The keys match the emotion of Trucks’ guitar and everything hits a lovely, unified peak before gently tumbling back down at the song’s end. It’s truly gorgeous.

Revelator finds the duo of Susan Tedeschi and Derek Trucks leading a dream team of players with class, taste, and just the right amount of grease – doing something they were born to do side-by-side.

What a love story, eh?


There are 7 comments associated with this post

Metoo! June 8, 2011, 12:13:27

This album is a masterpiece…and we all knew it could be. There is a sound that has me breathless in some of the tunes. Excellent review!
Midnight In Harlem might be the best new song I have heard in the past 10 years. See ya’ll on the road

KoolAde June 9, 2011, 16:47:29

This album is a subtle masterpiece from start to finish. This band can absolutely WAIL, but spends the right amount of time building to it and doing all the little things perfectly. I’ve played it about ten times already (in the car, at work, and at home) and I keep catching these little moments where I realize I have goosebumps and it’s because of something that just caught my subconscious attention. There is just magic here. I get the feeling I am going to be finding new little pleasing moments on this album for a long time to come (and I can’t wait to see them live!). The positive energy coming out of this band is refreshing and honest. And subtle. Enjoy!

DrumGuy June 14, 2011, 15:27:04

This album is awesome….. but the live show takes it up about 6 nothches! TTB rocked the Performing Arts Center here in Durham and left most everyone salivating for more. The energy on stage was incredible and draws the crowd into the stage…. where the musicians quickly devour and spit back in harmonious bliss. GO SEE THIS SHOW!!

Adecmr June 20, 2011, 06:51:04

Tedeschi Trucks band are absolutely amazing! The new record is really great!

Lubar June 23, 2011, 08:36:47

Yes, Susan, I have followed you for years, but to take the front runner spot away from Mike Mattison is tragic….He is a powerful singer and is he ever going to be featured again? Derek, you were fine without your wife as lead singer.

EWillpwr July 12, 2011, 09:07:44

I agree Lubar. I cannot believe that more of the DT faithful have not stepped up and voiced protest over Mike being demoted to background/harmony vocals. At the last show I attended, during a break between songs I shouted out “Let Mike sing one”!!!!! Only a few in the crowd appreciated it. Hopefully Mike was one of them. I know Susan heard it. Susan is good no bout a doubt it, but c’mon… Mike is the voice of the DT Band!

Brad July 19, 2011, 19:56:20

Just saw the band play at El Rey last night. Crowd really appreciating the strong vocals, guitar work, great horn section along with the 2 drum set up and burbridge bros on keyboard and bass. Btw, Mike sang several songs both up front and with susan et all and the crowd was appreciative. Susan’s voice works perfectly with Dereks smooth to Jammu slide style. Her swampy sound was very strong and spiritual. Best was the funk they brought with them. Amazing how they can go from little Cajun, blues, rock, Jammu, funk and soul so effortlessly. Highly recommend.

Note: It may take a moment for your post to appear

(required) (required, not public)