Peaches En Randalia #40
Breathe in/Breathe out #6>Yes, but this is 2009, and the 6/5 2nd set is where the Biscuits really get down and move through some sort of interplanetary dimension by way of bass n drums and keys n guitar, all playing together in a perfect union of funked-out harmony, but it is the 1st set that really sets the template in place, really gears up the audience for what could be, really lets you know that they are in the Cosmic Zone.
Breathe in/Breathe out #5>Here comes Brad Sands. 2am, I think it was, summer of 2005. I couldnt have known it at the time, but Big Red would have only one more tour duty in this particular warm season for the next four years, and the next time, after 2006, it would be with Phish. Sure, Trey toured in 2006, arguably better than he had in 2005, but to most folks, that isnt saying much. They disliked anything post-Phish, and Trey was the arch enemy of anyone who loved Phish, and wanted them back so they could continue with their obsessive love affair. Who gained from this relationship remains to be seen. I loved the fall 2006 Anastasio live gigs with Jeff Sipe on drums. But I would, wouldnt I? I like free improvisation without a net within music. Hell, our legendary site editor (I rarely use the word legendary on a loose basis, and Im certainly not here) probably knows that I prefer Bomb Factory, 5/7/94, over the near perfect precision of 6/18/94. Why? I love Phish, too, but I also love the organized chaos of their mid-period work. In 2009, thus far, precision and a fun vibe seems to be the agenda, and we dark and weird souls wonder when these four magicians (you meant musicians, right? No. No, I didnt.) will cut loose and return to their original good times plus experimental base. Or is that just me? I was never comfortable in the group Phish fan mentality and that has not always served my anti-social nature well. My loss. I trudge on with my strange dreams.
Breathe in/Breathe out I>We will start with an intermission. These are some notes that have more to do with the Disco Biscuits delightful resurgence as opposed to Phish, 2009.
Breathe in/Breathe out #4>That momentum either arrived at, or was extended to, their landmark Red Rocks gig. Indeed, the band had never headlined at the monolithic, almost pre-human, stoned tapestry of a venue, and the quartet built a monument to a monument.
Breathe in/Breathe out #3>Ogden was the quiet little show that prefaced the Red Rocks mayhemBisco Inferno, indeed, with the band delivering two different sandwichesan ambient superstar called Spacebirdmatingcall in the opening set, and Morph Dusseldorf in the latterthat continued to solidify the notion that although the Disco Biscuits havent changed much, they are just better than theyve been in a very long time.
Breathe in/Breathe out #2>You could feel the soundboard hit your chest. Like their Red Rocks and Ogden gigs, the band was playing sets in Cleveland where they had mastered conceptual continuity. They didnt just seguesongs swam, arced, looped, plunged, paddled, and slowly moved forward with a confidence that peaked while never suggesting, nor playing, a trite climatic conclusion. The Disco Biscuits in 2009 are playing all the notes in between, the silent ones that resonate, and they are also conjuring up some fairly heavy and fluid tangible sheets of sound that come from some sincere placeBiscos back, and yet they were never really gone. A drummer has departed, and a new one has been around for quite some time, but the changes within his rhythm are debatable, and not as important as the result: this band cooksagain. It aint 1999, but 2009 is just as damned perfect in its own little organized and chaotic way. When did this momentum begin, or was it always under the surface? Did it arrive in Colorado intact, or was it in the midst of some sort of landmark tour where DVDs are crafted ala Anastasios 2005 Red Rocks morsels, or is it something much bigger?
* – inverted, intermissioned, and incomplete, but never indifferent
Randy Ray - Peaches En Randalia 1
- All
- Andy Miller - Real True Confessions With Padre Pienbique
- Annabel Lukins - Both Sides of the Rail
- Brian Levenson - Head Games
- Brian Robbins - The Maine Line
- David Steinberg - Some Are Mathematicians
- Dean Budnick - From the Editor
- Fady Khalil - Hiding From Band Practice
- Jesse Jarnow - Brain Tuba
- John Zinkand - Improvise
- Mike Gruenberg - In My Life
- Randy Ray - Peaches En Randalia
- Taraleigh Weathers - The Sunny Side of the Scene
Spacebirdmatingcall*
News
Archive- Hot August Music Festival Unveils Artist Lineup: Grace Potter, Snarky Puppy, Neal Francis and More
- Roger Daltrey Announces 2024 North American Solo Tour
- Inaugural Rose On The River to Feature My Morning Jacket, Thundercat, BADBADNOTGOOD, Flying Lotus and More
- First-Ever Peach at The Beach Drops Pre and After Party Lineups: The Disco Biscuits, Marco Benevento
- Billy Strings Sits-in with Michigan Metal Band, Shares Scene Kid Memories
- Listen: Grace Slick Releases “Lahaina Shine” to Benefit Maui Wildfire Victims
- Grand Ole Opry House Celebrates 50th Anniversary
- Dueling Kits and Keys: Phil Lesh Closes Out 84th Birthday Celebration with Joe Russo’s Almost Dead
Most Popular
- Billy Strings Announces Summer Headlining Tour
- Phil Lesh Visits Attics of His Life at The Capitol Theatre with Friends Lineup
- The Avett Brothers Expand U.S. Tour with New Amphitheater and Arena Dates
- Tedeschi Trucks Band Salute Van Morrison with “Into The Mystic” and “Caravan” Debut in Virginia
- Phil Lesh & Friends to Stream Capitol Theatre Birthday Concert Live on SiriusXM’s Grateful Dead Channel
- Goose Plot Four-Night Run at The Capitol Theatre in Port Chester, Live Debut with Cotter Ellis
- Greensky Bluegrass Outline Part One of Summer Tour 2024
- Wilco Share Summer 2024 Tour Dates
No Comments comments associated with this post